For my Text
in Context paper, I plan to work with Nagra’s British Museum to look at how institutions like the British Museum
construct a narrative of British history and identity in conjunction with distinctly
non-British cultural art and artifacts. How is the narrative of Empire
reinforced by tying it closely to Classical Rome and (to some extent) Egypt,
for example, while contrasting it against India and China? Essentially, I want
to ask how the British Museum has used the trappings and iconography of other
cultures in order to contextualize Great
Britain, rather than to contextualize those other cultures, particularly
how that reflects the value judgements we make as to which cultures are/were “civilized.”
I will likely focus heavily on the organization of space within the museum, and
on the way it shapes how the artifacts are viewed, and therefore what sort of
metonym they become for their cultures of origin.
Subscribe to:
Post Comments (Atom)
310 Blog Post 4- Summary of the Play-Going
Now that we have officially seen all of the official plays for the course, I can’t help but arrange a hierarchy of sorts ...
-
Play : The Winter’s Tale by William Shakespeare Time and Place : Pseudo-Classical Sicilia and Pastoral Bohemia. That is to say, n...
-
Viewing Exit West as Immigration Through London Mohsin Hamid’s Exit West has many stories that intentionally paints the world with op...
-
David Dabydeen’s Turner is a response to J.M.W. Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dyin...
No comments:
Post a Comment