Tuesday, June 19, 2018

Textual Analysis: The Emperor's Babe (Rough Draft)



There exists a significant difference between the perceptions of London from the past, as seen through Evaristo’s novel, The Emperor’s Babe, and current times. The verse of the novel helps to more indirectly add to the idea of London from the past. In addition, the character of Zuleika creates another set of perceptions as well. Evaristo chose a character that would change perceptions based on her feelings for herself and others, as well as one that would see all aspects of London. This character and novel created easy comparisons to the modern age today.

Evaristo’s novel deals with how someone in the roman time period could have viewed London, England, which is directly in contrast to how we view London now. The difference in the views of Zuleika from her days as a poor baker’s daughter to the affair of the emperor also changes in the novel. In Evaristo’s novel London is shown as somewhat of a cesspool, dirty and uncivilized. However, as a poor citizen of London Zuleika enjoyed her life. Her perception of London does shift immensely when she is married off to a man much older than she. She begins to see the side of London those with money can afford. However, even though her technical standard of life increased she hates her life. This mostly has to do with the fact that her husband essentially raped her. Evaristo manages to give a description of London in its many various forms through class division. While the London Evaristo shows through Zuleika is a town on the very outreaches of an empire, she also shows that with enough money, the upper class could still have elaborate homes. Even these homes however, did not save the wealthy from experiencing the weather, especially as the wealthy build their homes in the style of their counterparts in the capital of Rome. Seeing as many viewed London as a bland town that had nothing to recommend it, the idea of following the capital makes sense. Zuleika describes the house she must share with Felix during the winter, “’Great for British winters,’ I once replied, / as snow fell on to the frozen fountain,” sarcastically describing how the want of the wealthy to emulate the ‘fashionable’ thus leading to them not adapting to the very different weather and terrain of London and England.

Evaristo writes the novel in such a way as to introduce the idea of how station can affect perceptions, as can feelings towards others. The very first part is like an introduction and gives insight into the character as she is throughout most of the book. The word choice in each of the sections helps to signify the feelings of Zuleika towards the other characters and herself. The very beginning before she is married off suggests that she is content with her life and that she enjoys being a rapscallion. Yet, even here, there remains a scene of London that is somewhat terrifying. “Our thanks? To raid his store one night, /find his great, black, rigor mortis self,” describes the time that she and her friend found a dead body in a shop. There is no description of how long the body was there, and things like this do still happen today, but this scene was disturbing, especially since both Zuleika and her friend Alba are young in this section. She avoids her family after realizing that her father basically sold her to the man that wanted her as a wife.  After her forced marriage and rape Zuleika becomes dissident and somewhat listless until one day she leaves her house and security detail to visit others. “…it was my first night/ in the Kingdom of the Dead,” it what Evaristo uses to describe Zuleika’s wedding night. The use of the Kingdom of the Dead as a metaphor shows indication that the character Zuleika hated or would grow to hate her life married to Felix.  She becomes less listless before she begins to become worse and worse, clearly disliking herself and her lot in life. “I am becoming a spectre, I think…” references how she gets through the first year of her marriage. She is afraid of being left alone, but also of having Felix return from trade. This is understandable considering that she could not be any older than twelve when she is married off. However, she manages to adjust her perception slightly to deal with this fact, and when she is gifted with a couple of slaves and finally visits her friends she becomes a bit happier. “I would have more days out on the town,” is at the very end of a part of section two, after Zuleika has spent a day with one of her friends. Yet even with this section, immediately afterwards comes a section where she meets her husband’s sister and her self-doubt begins again. But, she does gain the two slaves, who start out wild but as Zuleika muses “…I hope they will become—/my devotees.” However, once Zuleika begins the affair with the Emperor the prose picks up and becoming more romantic and brighter. Zuleika’s prose also focuses on the emperor and not on herself as much. “my Libyan, my lover-to-be,” focuses specifically on her description of the emperor. This again addresses her change of perception. This argument, while appearing to deal only with Zuleika’s perception of the people around her indicates how her perception of London is colored.

Today’s perception of London is as a metropolitan center. It is seen as a city on par with New York, Paris, and Rome. In addition, London is the capital of the United Kingdom, a direct contrast to the backwater town that was part of the roman empire. London is the heart of Britain and was the capital of a very large empire for a number of years. London is no longer dirt roads and beggars, where only the very rich have homes of comfort and design. Instead, it has become a thriving metropolis that caters to people from around the world who travel or make their homes there. Today people see London as a place to travel to, a place of higher learning, and a place to retire. This outlook echoes how the romans would have viewed Rome, and how capitals have been viewed throughout history. Capitals can be of the countries themselves, such as Washington D.C. and Paris, but also of other things, specifically fashion, like New York and Milan. This makes the difference even more interesting, as London is not only a capital of a country, but also a fashion capital. London was also at one point the center of a huge empire, and while this was not necessarily a bright point in the history of England, almost becoming Rome in a way. Rome was the center of a huge empire and was seen as the center of the West. London is not seen today as the center of the West; however, it is seen as an important place for Western culture. This dichotomy is interesting in another way when considering the modern slang used in Evaristo’s novel and when the novel itself was written. Evaristo wrote the novel in this time period, where London is a major player in the world, but manages to create the scene of London that would have been more appropriate for the Roman times. The modern slang is not used for the descriptions of London, but instead appear to be used when Zuleika becomes frustrated or something important happens.

This use modern slang led to the easy digestion of the material and created a perception for the readers that directly correlated to the character. Readers can only experience London through the eyes of the character, which does also bring up the question of if Evaristo had chosen another character through which to discuss London, how that might have changed the reader’s perception. This choice of main character allowed the readers to see how someone whose station changed and whose perception was massively affected by those around her could give a description of her life that provided a commentary on the time period. The modern slang occurs at specific parts of the novel and allows the readers to try and think about what Zuleika must be thinking in her situation. In addition, some of the modern slang could more accurately describe both Zuleika’s condition and feelings than non-slang. Yet at the same time there is a break every so often where Evaristo brings in Latin words or phrases, underling more emphatically the time period in which the novel is taking place. Again, these phrases underscore important parts of the novel including when her father is selling her to Felix. In a way this dichotomy of modern slang and Latin phrases also brings in the idea of London as somewhat of a rebel. Essentially, even though the roman empire had built London, and Latin was a language spoken by the wealthy and powerful other languages were still spoken by a majority of the population. This dichotomy could also signify London today, as a place where many cultures mesh on a daily basis, like the modern slang and Latin phrases are meshed in this novel.

Just as Zuleika’s perception of London changed based off of her experiences, so too, does the modern interpretation of London change based off of experiences. This is a fundamental condition of the human psyche, which makes Evaristo’s novel all the more compelling.  The choice to use prose instead of writing in free verse also affects how the reader perceives ancient London. This choice means that the reader has to first dissect exactly what is being said before even considering looking into the thoughts behind the words. This could also be seen as a metaphor for London. The reader can look on the surface and see one version, but has to look deeper to find what is truly being said before they can extrapolate exactly what is London. The description of England in the book is not favorable, describing the freezing winter and the hazy and hot summer. She also describes the lack of hygiene in London. At one point she references, “…the alfresco sewage running/ between paving stones…” which brings this to attention. In addition, she continuously references mud, particularly in th summer, most likely from the rain. “lifted my skirts and was carried by sedan/ over the mud,” is a description from when she is happy, but nonetheless provides insight into how the Romans viewed London as dirty and gritty.

Throughout this novel there are clear dichotomies in the word choice and descriptions of city. Yet these are only insights into the differences between the roman London and view of it and today’s view of London as a modern and hip capital. These ideals are brought into even greater attention by the changing perception of the character Zuleika in addition to the changing perception of the reader throughout the book. All of the perceptions and dichotomies lead to the differences between roman London and modern London being clear in such a way that the reader understands just how unique each if these perspectives are and what creates each.

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